Leave
[leev] verb, left, leav⋅ing.
–verb (used with object)
1. To go out of or away from, as a place: to leave the house monotony.
Leaving
Using the back door
A car
A bicycle
A pair of shoes
Different ways to stay awake
Cigarettes
A boyfriend
Different ways to dream our dreams
A bus ticket
Demanding a frivolous lifestyle
A plane ticket
A stolen bicycle
A stolen car (surely, not…)
Attacking morality
Cigarettes
Looking forward
Blacking out
Multiple stolen pairs of shoes
No bus ticket
Overdraft fees
Backtracking
Train hopping
Vagrants
Hits of something flat
Hits of something bright
Cops
Pulling the “suburban white girl”
Anarchists?
Bloody nose
Perpetual vomiting
Rejecting sleep and simple acts of kindness
Hand rolled cigarettes
Hitchhiking
Hide in backseats
Hide in trunks
Hide beneath blankets
An ex-boyfriend
Drop off at gas stations
Drop off at rest stops
Drop off at side of the road
Leave
[leev] verb, left, leav⋅ing.
–verb (used with object)
2. To allow to remain the same; place, condition, etc: Are there any bottles reasons left?
Dear Chicago,
I returned to Detroit after a seven month hiatus. I returned for the shortest period of time I could, while still justifying the five hour bus ride there and the idea of another five hour bus ride home. I once heard that “A (wo)man travels over the world in search of what (s)he needs, and returns home to find it.” (but who the fuck is George Moore anyways?). But, where is home? What is home? I think you are my home. I think you are my home, but you are not my family. And I think my family is home, but they are not you. I am no longer able to hear anyone call out my name to come “home”. There is only silence besides Detroit’s shallow death rattle as houses continued to go up in flames (insurance fraud takes the place of Friday night at the movies), people continue to flee the decaying city leaving only those unable to move and I continue to fall out of love with all I have left behind. I return because of my family (my home?). A family that continues to let themselves be surrounded by filth, sadness and the same kind of emptiness that can be heard at the bottom of a hollow aluminum can. Is it possible that I am perhaps feeling a bit superior to those I’ve left, because I’ve left? My days are long and bland. Work, drink, smoke, repeat. Learning is situated somewhere in between the times where my eyes are closed and glazed over. I’m terrified of admitting the truth. Truth. The word leaves you without hurry. It falls out of your mouth and drifts slowly away, never quite reaching the ground. I stay the same while only my scenery has changed.
Forever Yours
Leave
[leev] verb, left, leav⋅ing.
–verb (used with object)
3. to let remain or have remaining behind after going, disappearing, ceasing, etc. : I left my wallet dignity home. The wound bastard left a scar [inside of me].
The gas station held only a single rack littered with out of date porno magazines. Behind it a glass counter with cigarettes and liquor bottles sat under a thick skin of dust. The bells on the door made an erosive clanking when I opened it and I felt an announcement I didn’t expect. I smelled of whiskey and pot and my face was covered under a veil of dirt. There was blood caked to the side of my forehead and when I tried to wipe it away, it flaked off like dead skin, and I watched it float down to the dirty orange tiles crooked beneath my feet.
“$16.54″
The voice came from a middle-aged woman standing behind the counter. She reminded me of someone I couldn’t quite remember and I couldn’t tell who looked worse out of the two of us. Her hair was long, thinning, greasy. She had fake gold rings on most of her fingers. Her eyes looked hard or sad, I couldn’t tell which. I wondered what she had really wanted to grow up to be instead of a gas station attendant. My blood stained fingers shakily pushed a twenty-dollar bill across the counter. It was the same twenty dollar bill that I watched my best friend snort thrills through a few hours earlier. She swore to me it wasn’t a habit, but she looked like a liar when she spoke. I grabbed the pint of some cheap whiskey and cigarettes and shoved the change into my pocket. I softly walked to the door and stared outside. It was darker than it should be for a summer night and it looked like it might smell like rain. A gray mass hung low in the sky, lazily loitering above us.
“I hope you’re not driving.”
She spoke to me again while she wiped off the counter with a grimy rag. I stared at her coldly and I could feel an excess of despair leak out of me like sweat, leaving each of my pores relieving me of a tangible kind of sadness. Without a word, I left the gas station and started down the road back towards the ditch where I had left him. The clouds looked weary and I hadn’t gotten far when they opened above me. The rain hit me like a million tiny secrets and I saw the dirt running down my arms and dripping into the wet street. My hair was matted with blood and rain and sweat and I forced myself to keep walking. I couldn’t think, I could hardly breathe, and the rain was blurring an already skewed perspective. I walked until the sounds of the faraway city were drowned out by my heavy footsteps and trying breaths. I climbed back inside of the ditch, in an effort to disappear completely. Water was filling in the ditch and it felt like silk wrapping around me. I wanted it to encase me and prevent me from leaving this place. I struggled to open my whiskey bottle, the rain making it slippery against my fingers. I turned the cap and escape wafted out in a slow, twirling vapor rising up towards something more than what lay on the ground.
Morning came and with it, a clear sky. Dripping wet and ragged, I unsteadily pulled myself out from the ditch, and out of the water. My chest felt deflated, as if someone had stood on top of me, until my ribcage gave in, revealing my guts. My toes sank deep into the mud, my arms and legs in the shape of star, and I was exposed for some God and his army* to see me, to redeem me, but they never came. My bones felt cold, and the skin that held them together felt even colder. I became aware of the way my heart pulsed and sagged with every pull and tug my body created inside of myself. My broken body ached from a night of bad dreams and the humidity had found a home deep inside my lungs, all the way down into my stomach. It lingered and danced, unaware of the destitute scene painted on the outside of me. My dirty hands arrived at my stomach and they rested there, intent to feel a life inside.
This isn’t what you think. I know what you think. I know the implications that these words reverberate inside of your head . This has nothing to do with wire hangers or a fall down the stairs. It has nothing to do with the kind of violence that shows up in the middle of the night in the form of an old Lifetime movie. The blood exists out of my tears and the tears exist from this rusty old planet. Her water is my tears and her water is my blood.
Leave
[[leev] verb, left, leav⋅ing.
–verb (used with object)
4.To depart from permanently; quit: to leave a job home.
A girl that is me stands in the middle of a huge empty theatre. The wooden floor is old and stained. A bright, white spotlight hums to life and it moves on top of her and it moves on top of me. She and I are folded up inside a tattered red dress covered in dust and worn from years of performing. We raise my arms up in front of her eyes, squinting. In a bold voice she yells. No, I scream.
This, right here, right now, this is only my dream you are staring narrowly at. And already you are trying to discern some kind of significance. Convinced that somewhere tucked inside of the subtext is a presage. And, just like the rest of us, you will spend your nights and your days thinking about this moment and about the complete exposition of the life you’ve lived, wasted, loved, hated and how to think about it … really think about it, scares the hell out of you.
This body falls forward, waist like a crease, stuck in a deep bow, this pretty face almost on the floor, before being pulled off stage by a great and mighty wooden hook.
* deus ex ma·chi·na (ěks mä’kə-nə, -nä’, māk’ə-nə)
n.
- In Greek and Roman drama, a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- An unexpected, artificial, or improbable character, device, or event introduced suddenly in a work of fiction or drama to resolve a situation or untangle a plot.